August 20, 2013 @ 8:45 pm, I have found a reed that gives the good sound as cane but stronger and more reliable. Don’t expect any more and you won’t be disappointed. Now I need to go buy new reeds. I prefer Rico Royal for both of my horns. With the plastic reed it sounds extremely different that the wooden one. The saxophonist sets the reed vibrating and creates sound waves that pass through the neck and out of the saxophone. It’s called the Reed Vitalizer and it’s ~$20-25. We recommend that beginners start out with a standard mouthpiece (for Yamaha, this is the 4C) together with a 2 1/2 reed, and practice the basics of playing long tones, making sure to get their embouchure (the shape and action of the mouth and lips that controls the sound using the muscles around the mouth) correct, and from there go on to choose something that fits their taste. We use cookies to ensure that we give you the best experience on our website. they had a small room that was completley isolated you couldn’t hear anything outside after the door was closed). So as a tenor or soprano sax player just think one whole tone interval above the piano concert pitch. With the Hahn Fibre Reed, some players have experienced difficulty playing altissimo and higher notes are flat consistently. I believe that that there’s an ideal reed strength for every player based on how developed their air support and embouchure muscles are. In general, a thinner reed, say 2 or 2.5, will have a brighter tone. 4.6 out of 5 stars 37. Your email address will not be published. Rico by D'Addario RJA1030 Alto Sax Reeds Review. Get it Tomorrow, Jan 8. GabsGarcia Which ones produce the warmest, most woody sound? The fibracells do work but overall I prefer a good ole Rico reed # 2.5. Answer: I’m almost certain it’s not your imagination. Meaning that you can play altissimo just fine on a #2 or #2 1/2 if that’s your ideal reed strength. [Experiment2]What happens when the length of the instrument changes? May 30, 2012 @ 6:43 pm, Those are valid points, and I thank you for taking the time to share your detailed insights on the tips here. 4S’s play as easily for me now as 2M’s did for me back then. Sound wise I have not noticed much loss aside from the wet sound. Thinner reeds vibrate more easily, so they are good for beginners. I hate that good-old-days attitude so prevalent these days but I’m sure I got more playable-per-box even just 5 years back.. I’m lucky if I get 2 these days. Thanks for the Reed Vitalizer product tip. Required fields are marked *, Notify me of followup comments via e-mail. Working with softer reeds has helped many professional saxophone players with developing a better embouchure plus overall range and dynamic adaptability. Though I play on harder reeds in general, this is not meant to promote harder reeds. Broken down into bite-sized lessons, this streaming video program covers just about every single aspect of saxophone sound production. Interesting you state ‘old’ for the ricos. If you are unsure about which reed and mouthpiece to select, consult the staff at your local music store. Sounds so much more convenient and enjoyable not to have to worry about finding and maintaining those good reeds. It is up to you to decide whether you want a better sounding or a longer-lasting reed. The standard scale for saxophone reed strength runs from 1 through 5, with 1 being the softest and 5 being the hardest reed. But I’m not sure what you mean by “I’m able to play only a few notes” – whether you mean that the reed is too hard and tires you out, or too soft and simply wears down on you. He wanted us to buy 4’s and work them down, falsely believing that 4’s had thicker hearts than 3’s. My alto and soprano saxophones are from Cecilio / Mendini and they are awesome! So if you're willing to move beyond having your day ruined by a lousy reed, then sax legend David Liebman's course, Ultimate Guide to Saxophone Sound Production is where you're going to want to go next. Hi Is it the Sax or my skill. I end up using three reeds within an hour. mrG, I noticed your comment about using a synthetic for your xaphoon. With the Hahn Fibre Reed, some players have experienced difficulty playing altissimo and higher notes are flat consistently. Important mouthpiece characteristics in addition to the tip opening are the table, where the reed attaches, and the facing, the angle of the curve near the tip of the mouthpiece. I found a combination of fibracells and a good beechler bellite do it for me on alto and tenor.also sometimes use dukoffs for tenor too but I only play on fibracells .cant and wont deal with cane ever again after getting 9/10 duds in a box with ricos and vandorens.I guess the fibracells just work for me and not against me….everyone is different though. 4.4 out of 5 stars 70. Maybe I should try invest in something more expensive…. 10 years ago, I used to get loadsa reeds that were OK but these days, I’m lucky to get 2 players in a box. I’ve never felt like my flexibility in terms of pitch or dynamics has been sacrificed when moving up reed strengths out of necessity. I’ve found that RICO reeds give me the best chance of finding the best ones; I play Rico Select Jazz 4M at the moment on my tenor sax. From brand to strength, here are 9 unknown factors about a saxophone reed to help you buy yours. It comes with a little gel packet that keeps the reeds from drying out completely, but dry enough that they don’t mold. I wanted to focus on learning the fingerings and not so much on technique at that time. Which one is better is a choice the player has to make. They are usually not “ready to go” right out of the box. I find that vandoren reeds just do not cut it for jazz or for my setup, a 60’s vintage metal FL Otto Link 8*. Doron Orenstein Do yourself a favor: buy AT LEAST a box at a time and compare them. This article has some good tips (it’s for clarinet, but still applies for sax): [Sorry(! March 20, 2013 @ 3:32 pm. There’s different variables for each of us like embouchure, mouthpiece tip openings etc. Doron Orenstein Remember: 20% success is all you can expect these days. I currently play on 4 Softs. Your email address will not be published. After introducing the reed in the mouthpiece, there will be a small space between the tip of the reed and tip of the mouthpiece. Am I missing something? An important point when choosing a reed is the compatibility with the mouthpiece. I started playing saxophone two years ago and purchased a Fibracell reed when I bought my soprano.
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